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Review of BBC's Survivors Remake 2008Apocalyptic Drama Wins a Quarter of UK TV Audience on DebutThe BBC's keenly awaited remake of Survivors, the classic TV drama in which society collapses after a super-virus wipes most of the population, is a ratings hit.
It was traumatic and bleak – but Survivors pulled through its ‘re-imagining’ from 1970s cult show to compelling scare-vision for 2008 and looks full of life for the coming weeks. In the late-70s, when the original series became a hit on BBC1, the world was not totally dependent on mobile phones and computers and was less prone to shocks such as bird flu, MRSA, SARS or HIV. Society CollapsingSurvivors, which got under way on BBC1 with its opening 90-minute special on Sunday (23 Nov), seems less far-fetched than ever now, speculating about what would happen if a killer super-virus ripped through London and the world. The subliminal question that nags all through it is, How would you cope? Loved ones dying, law and order collapsing, water and communications petering out – the drama portrayed all of this in a far more seamless and realistic protrait than the pre-CGI original. But having consumed so many stories in the population-wipe-out genre – 28 Days Later, Cormac McCarthy’s The Road – the success of any new take on it comes down to whether we care about the characters. Excellent CastHere, Survivors 2008 had a strong cast, though one playing a contrived cross-section of the population – including the Muslim, Al (Phillip Rhys), the middle-class mum, Abby (Julie Graham), the black guy, Greg (Paterson Joseph), working-class white psycho, Tom (Max Beesley), and the black woman, Jenny (Freema Agyeman). The most chilling moments were saved for Abby, who recovers from a dose of the virus to find her husband (Shaun Dingwall) dead in the frontroom armchair, before racing for help to the neighbours, who were also wide-eyed in death, and finally starting and abandoning a search through a hospital full of corpses looking for her missing son. Dead in the PenthousePlayboy Al was not far behind, waking after a one-night stand only to find last evening’s pick-up dead in his penthouse – divine notice that the good times were over for everyone. After that, narcissistic Al provided the few moments of light relief when he linked up with lost boy Najid (Chahak Patel), the only survivor from a Mosque-full of worshipping Muslims, who thereafter punctures his adult companion’s ludricrous pretentions with ease. Menacing MaxMax Beesley’s Tom was creepy as the prisoner serving 20 years who was the one lag to emerge unscathed from Her Majesty’s Prison – but only after he shanked the one surviving guard on site. This opener then followed how the disparate characters eventually come together in the expanse of a completely vehicle-less motorway. This setting looks post-apocalyptic but is unconvincing – if 90 percent of the population died in a very short space of time, surely many would be on the clogged roads when it happened. But details aside, this was compelling drama. The writer Adrian Hodges (who also wrote dinosaur drama Primeval) apparently spoke to virology experts to make it plausible. Actors such as Paterson Joseph (rumoured to be the next Doctor Who) and Julie Graham kept it convincing too, though Freema Agyeman met an early end and was a little underused. Ratings WinnerStill, the depiction of government disintegration and a world turning savage was hard to resist for viewers, Survivors claiming a 25 percent share of the audience on Sunday night (peaking at 7.82m, 29 percent). There was a coda to the story in which laboratory boffins were seen to be shielding themselves from the catastrophe (did they cause it?), meaning Survivors is nicely poised to explore how and if society recovers and how our heroes struggle to live once they get off that motorway.
The copyright of the article Review of BBC's Survivors Remake 2008 in Sci-Fi TV is owned by Robin Jarossi. Permission to republish Review of BBC's Survivors Remake 2008 in print or online must be granted by the author in writing.
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